Tag Archives: boston

Upcoming Stuff & Events & Things (Nov. ’13)

Hello, website! Long time, no update! I swear that one of these days I am going to actually train myself to just make brief updates here as they happen, instead of these info dumps.

ANYWAY. I’ve got some stuff going on, because of course I do. It goes like this:

  • Saturday, December 7, I’ll be returning to MORTIFIED and performing some hilariously terrible songs that I wrote when I was 16. The performance will take place at Space 538 in Portland, ME; tickets are $8 in advance and $10 at the door. Do I know anyone in Maine that I can even embarrass myself in front of? I don’t know, but I can tell you that it is definitely worth it to go to Maine to laugh at my terrible, terrible songs.
  • I’ve also got 2 new short plays in the 4th Annual Boston One Minute Play Festival, January 4-6 at Boston Playwrights Theatre. They’ll be directed by Megan Sandberg-Zakian and Meghan Mueller, which I’m sure makes my sister proud in some way.

Meanwhile, in addition to my normal duties at Five By Five Hundred, I have a review of Eric Smith‘s new book The Geek’s Guide To Dating on Tor.com, and some coverage of SpeakEasy Stage Company‘s world premiere production of Make Up Your Mind, a brand new play by Kurt Vonnegut even though he’s dead.

And then, ya know, the youge (like, the slang/shortened word for “usual,” but spelled phonetically? Is that right?): Workin’, writin’, so on and so forth. Tonight at the Huntington we start performances for The Cocktail Hour by A.R. Gurney, which is directed by Maria Aitken, a favorite of ours at the theatre. Here’s a little video I made for that:

I also wrote some fun stuff about ghost stories at the theatre on the Huntington’s blog which is still worth reading even though it’s after Halloween, as well as two pieces of flash fiction in this “Quantum Shorts” competition that you can go read and vote for so I can win some monies: I Kill Dead People and Not Dead Yet (which was the basis for my story in Grayhaven Comics’ Fifth Dimension anthology).

Wow that’s a whole lot of dead stuff. In that case, I should end this on a happy note, which is that Maurissa Tancharoen both listened to and enjoyed my song “I’ll Fight A Whedon For You”; unfortunately, her husband Jed was less than impressed.

So now I’ve pissed one Whedon and armwrestled another, which only leaves Zak for me still to cross. But overall I think that means that I’ve successfully become a Whedonverse villain?

Holy crap, I’ll be 28 in 2 weeks.

Huntington Updates

We’ve got one week left of The Jungle Book (now officially our highest-grossing show of all time), and previews began tonight for The Power of Duff, a new play by Stephen Belber (and featuring, among others, Jennifer Westfeldt, writer of Kissing Jessica Stein and wife of Jon Hamm). Here’s a little video I put together about it:

Here’s another brief video I made for our Annual Fund ask, which hopefully gives a glimpse of the size and scope of our productions (and makes clear that even when shows are selling well, we still need money because, well, theatre this good don’t come cheap, y’know?)

I’m also trying to up my blogging quotient for the company — because hey, I enjoy writing sometimes, believe it or not — and here’s one of my latest posts, about our new young donor program “The Hunt.”

SO MANY THINGS HAPPENING IN THE THEATRE AHHHHHHHH

Man, life was so calm and easygoing for that first month after I got back from Clarion. What the hell happened?

Oh yeah. The Jungle Bookour new world premiere musical adaptation of the Disney animated film, directed and adapted by the incredible Mary Zimmerman. We’ve just extended the show a second time, so it now closes on October 20 (but tickets are going fast, so get ’em while you can!). It’s been a pretty crazy time at work, but luckily, all in a good way, with lots of special promotional events for the show that have kept me pretty busy. But here’s a little glimpse at a few of the things I’ve been doing for it:

Our “audience testimonial” video, with some B-Roll from the production, and interviews with real audience members who cannot stop raving about the show (so you don’t just have to take my word for it).

We also took the cast of the show to Fenway Park, where they performed the National Anthem before the Red Sox totally obliterated the Stankees. Here’s their actual performance…

…and here’s a fun little overview of their entire (did I mention they had soundcheck at 10am for a 1pm game, plus a two-show day starting with a 2pm matinee performance? Yeahhhh it was kinda nutes)

On top of that, I’ve been doing some video editing work for Project: Project’s upcoming production How May I Connect You (Or, Scenes in The Key of D:/)a really cool devised theatre piece full of hilarious sketches about communication and human interaction in a digital era. That show goes up this coming weekend only, Sept. 26-29, at the South End / Calderwood Pavilion at the BCA, so see while you still can!

(oh, and plus, my girlfriend just directed this incredible production of Nina Raines’ Tribes at SpeakEasy Stage Company, which is getting absolute stellar reviews, so you should go see that as well. It runs through Oct. 12.)

 

 

Now On Sale – “In A Single Bound: Superheroes For Greater Boston…And Beyond!”

Covers-12-150-small(wow I can’t believe I totally forgot to post about this back in April) (yes I realize I’ve been neglecting this site) (I could have sworn I posted about this when it happened…)

I recently published another comic book story, this one with Boston Comics Roundtable / Ninth Art Press and featuring artwork by my friend Jim Gallagher. Our story is part of an anthology series about Boston-centric superheroes, and what’s even cooler is that our superhero “Louie the Lone Dervish” (inspired by Louie With The Tricycle, a popular homeless guy around these parts) is featured right there on the cover on the anthology as well. Not bad for a story about a crazy superhobo on a refurbished three-wheeler!

The comic was originally set to have its debut at Boston Comic-Con back in April, but, well, that kind of got postponed because, you know, all kinds of craziness. So it’s now available online following the re-scheduled Boston Comic-Con from last weekend. You can pick up a copy of “In A Single Bound” #2 over at the Ninth Art Press website, a scant $6 for 36 glorious black-and-white pages done entirely by Boston-based writers & artists.

UPDATE: this blog post managed to make the rounds today, thanks to the magical powers of the Internet, and I was interviewed by Boston Magazine about it. You know, ’cause I’m awesome n’shizz. Check out the interview over on their website!

Maria Aitken returns for The Cocktail Hour

Maria Aitken is one of our favorite directors at the Huntington, and we’re excited to welcome her back to Boston this fall to bring her expertise to AR Gurney’s American comedy of manners The Cocktail Hour. Here’s a little video I did with Artistic Director Peter DuBois about the production:

I speak more in depth about the play over on the Huntington’s blog as well.

The Power of Duff at the Huntington

One of our other new plays in the Huntington’s upcoming season is The Power of Duff, which had its world premiere last summer but is undergoing some extensive re-writes for this fall. I spoke with director Peter DuBois about the production in the video below, and I talk more extensively about the story and script over on the Huntington blog:

The Jungle Book Comes to Boston!

The opening show of our 2013-2014 season at the Huntington is a brand new stage adaptation of Disney’s The Jungle Book, which we’re all pretty excited about. I talk about it more extensively over on the Huntington’s blog, and here’s a video interview I put together with our Artistic Director Peter DuBois about the production:

Performances of The Jungle Book begin September 7 at the Avenue of the Arts / BU Theatre.

Who For You For Me For Who?

My incredibly talented partner, Ms. M. Bevin O’Gara, is directing the Boston premiere of You For Me For You, a fantastical new play by Mia Chung that tells the story of two sisters trying to escape North Korea and flee to the United States. Bevin and I tend to stay out of each others’ ways when it comes to our creative processes, so while I’ve read the script, I honestly don’t know much about the production itself — but I can tell you that I’m incredibly excited to see this highly imaginative story acted out on stage (and not just because my girlfriend is the director and I’m biased).

Here’s a little preview video I put together for the production, which starts performances tomorrow and runs through February 16:

(side note, when I was approached to create a video for the show, it took so much of my will power to not just give them this:

but you knew that was coming, right? I’m a horrible person)